![]() There are some parts that are a bit laborious and technical. Copland's approach is utterly refreshing and friendly, encouraging the reader to continue on and soak up as much information as possible. Copland's tone is that of a fellow music lover who has had more experience in this area and is eager to share his knowledge and advice. In fact, the author makes it perfectly clear in the first part of the book that one does not need to be an expert or even highly skilled in music in order to listen and appreciate what one hears. ![]() While many would say that music has changed dramatically since the book's most recent revision in 1957, Copland's overall observations about the direction of music, particularly contemporary music, are dead on.Īlthough Copland was an expert in his field, "What to Listen for in Music" is not an academic treatise by any means. Although the lectures began in 1937 and the book was published in 1939, Copland's definitions, directions and advice are still as pertinent today as they were back then. This book was developed through a series of lectures Copland gave at an innovative charter school in New York City, called the New School. ![]() Aaron Copland was a world renowned composer, musician, and teacher. ![]() "What to Listen for in Music" is a book that is considered to be a classic among musicians and music lovers, whether they are self-taught or formally trained. ![]()
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